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Terminator 4 trailer


Terminator 4 trailer

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Terminator Salvation is a 2009 American science fiction film, the fourth installment in the Terminator series, directed by McG, and starring Christian Bale as future Resistance leader John Connor and Sam Worthington as cyborg Marcus Wright. The film also introduces a young Kyle Reese from the original 1984 film, played by Anton Yelchin, as well as depicting the origin of the T-800 Model 101 Terminator. Terminator Salvation, set in 2018, focuses on the war between humanity and Skynet – a departure from the previous installments, which were set on the present day and featured time travel.


In 2003, Dr. Serena Kogan (Helena Bonham Carter) of Cyberdyne Systems convinces death row inmate Marcus Wright (Sam Worthington) to sign his body over for medical research following his execution by lethal injection. One year later, the Skynet system is activated, perceives humans as a threat to its own existence, and eradicates much of humanity in the event known as Judgment Day (see Terminator 3: Rise of the Machines). In 2018, John Connor (Christian Bale) leads an attack by the Resistance on a Skynet base. John discovers human prisoners and plans for the development of a new type of Terminator incorporating living tissue, but is the only apparent survivor of the attack after the base is destroyed in a nuclear explosion. However, Marcus emerges from the wreckage of the base and proceeds on foot to Los Angeles.


Christian Bale as John Connor: A soldier in the Resistance waging war against Skynet after it destroyed much of humanity in a nuclear holocaust, who is destined to become humanity’s leader. Director McG deemed Bale “the most credible action star in the world” during development. McG wanted Bale for Marcus, but the actor — even though he “can’t really remember why” — wanted to play John, and that led to the character’s role getting expanded in rewrites of the script. Bale was the first person to be cast and signed on for the role in November 2007. McG talked extensively with Bale in the UK about the role while the latter was filming The Dark Knight, and they both agreed to proceed.Although a fan of the Terminator series, he was at first uninterested, until McG convinced him the story would be character-based and not rely on special effects. They kept working on the story every day, along with Worthington. McG said Bale broke his hand punching a Terminator prop during filming. Bale also spent six to eight hours each day with McG in the editing room to advise the finished product.



In 1999, two years after C2 Pictures purchased the rights to the franchise, two Terminator films’ premises were mapped out and were supposed to be developed simultaneously. Tedi Sarafian was hired to write Terminator 3: Rise of the Machines, which he eventually received shared story credit for, while David C. Wilson was to write Terminator 4. Before any revisions were done, T3 initially took place in 2001 and revolved around the first attacks between Skynet and humans. T4 would follow immediately afterwards and centered primarily on the war seen in the first two movies. Warner Bros. gave the film the codename “Project Angel”.


McG signed on to direct as the first two films were among his favorites, and he had even cast Robert Patrick (who played the T-1000) in his films. Though he was initially unsure about “flogging a dead horse,” he felt the post-apocalyptic setting allowed the film to be different enough so as not to be just an inferior sequel. The idea that events in Terminator 2: Judgment Day and Terminator 3: Rise of the Machines altered the future also allowed them to be flexible with their presentation of the futuristic world. McG met with the series’ co-creator James Cameron, and, although he neither blessed nor cursed the project, Cameron told the new director he had faced a similar challenge when following Ridley Scott’s Alien with Aliens. He maintained two elements of the previous films; that John is an outsider to the authorities, and someone of future importance is being protected, and in this film it is Kyle Reese.

Filming and design

Shooting of the film started on May 5, 2008 in New Mexico. Filming also took place at Kirtland Air Force Base in the state. The filmmakers had originally intended to begin filming on April 15 in Budapest, but a twenty-five percent tax rebate and absence of an interest rate cap and floor made the filmmakers seek the cheaper New Mexico, because of their $200 million budget. To avoid delays caused by a possible 2008 Screen Actors Guild strike in July, all exterior scenes were completed by then, so production could restart easily. The shoot ended on July 20, 2008, though some pick-ups took place in January 2009.


Danny Elfman began composing the score in January 2009. Beforehand, McG had the idea to hire Gustavo Santaolalla, who he got to speak with, to work on the human themes, while having either Thom Yorke or Jonny Greenwood for Skynet’s themes. He also wanted to discuss scoring the film with Hans Zimmer, but he was unable to arrange a meeting. However, he managed to meet with The Terminator and Terminator 2 composer Brad Fiedel. McG was not interested in repeating the sounds Fiedel achieved in his films but still wanted Elfman to use those themes and ambient sounds, and give them a “Wagnerian quality”.

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JAWS 5 – Resurface (Trailer 2010)


JAWS 5 – Resurface (Trailer 2010)

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Jaws is a 1975 American horror/thriller film directed by Steven Spielberg and based on Peter Benchley’s best-selling novel. The police chief of Amity Island, a fictional summer resort town, tries to protect beachgoers from a giant great white shark by closing the beach, only to be overruled by the town council, which wants the beach to remain open to draw a profit from tourists during the summer season. After several attacks, the police chief enlists the help of a marine biologist and a professional shark hunter. Roy Scheider stars as police chief Martin Brody, Richard Dreyfuss as marine biologist Matt Hooper, Robert Shaw as shark hunter Quint, and Lorraine Gary as Brody’s wife Ellen.


The film begins at a late night beach party on Amity Island, from which a young woman (Susan Backlinie) leaves to go skinny dipping. She dives into the water, where she is suddenly jerked around and then pulled under by an unseen force. The next morning, Amity’s new police chief Martin Brody (Roy Scheider) is notified that Chrissie is missing. Brody and his deputy Len Hendricks (Jeffrey Kramer) find her mutilated remains washed up on the shore. The medical examiner informs Brody that the victim’s death was due to a shark attack. Brody heads out to close the beaches, but is intercepted and overruled by the town mayor Larry Vaughn (Murray Hamilton), who fears that reports of a shark attack will ruin the summer tourist season which is the town’s major source of income. The medical examiner says he was wrong about a shark attack and tells Brody that it was a boating accident. Brody reluctantly goes along with this.

A short time later, a young boy named Alex is attacked and killed brutaly by a shark while swimming off a crowded beach on an inflatable raft. His mother places a $3,000 bounty on the animal, sparking an amateur shark hunting frenzy and attracting the attention of local professional shark hunter Quint (Robert Shaw). Quint interrupts a town meeting to offer his services; his demand for $10,000 is taken “under advisement”. Brought in by Brody, ichthyologist Matt Hooper (Richard Dreyfuss) conducts an autopsy on Chrissie’s remains and concludes she was killed by a shark.

Soon after a large tiger shark is caught by a group of novice fishermen, leading the town to believe the problem is solved, but an unconvinced Hooper asks to examine the contents of the shark’s stomach. Because Vaughn refuses to make the “operation” public, Brody and Hooper return after dark and learn that the dead shark does not contain human remains, just fish and garbage. Scouting aboard Hooper’s state-of-the-art boat, they come across the half-sunken wreckage of local fisherman Ben Gardner’s boat. Hooper dons a wetsuit and while exploring the vessel underwater discovers Gardner’s severed head. Despite evidence of the shark’s presence, Vaughn still refuses to close the beach. By the Fourth of July the beaches are covered in tourists. While a prank triggers a false alarm and draws off the authorities’ attention, the real shark enters an estuary, kills a man, and nearly takes the life of Brody’s oldest son Michael. Brody forces a stunned Vaughn to hire Quint. Brody and Hooper join the hunter on his fishing boat, the Orca, and the trio set out to kill the man-eater.

At sea, Brody is given the task of laying a chum line, while Quint uses deep-sea fishing tackle to try to hook the shark. Quint hooks an unseen fish, but Hooper suggests that it isn’t a shark, and the two grow increasingly agitated with one another. As Brody continues chumming, the enormous shark suddenly looms up behind the boat. After a horrified Brody announces its presence (“You’re gonna need a bigger boat!”), Quint and Hooper watch the great white circle the Orca and estimate the new arrival weighs 3 tons (2.7 metric tonnes) and is 25 feet (8m) long. Quint harpoons the shark with a line attached to a flotation barrel, designed to prevent the shark from being able to submerge as well as to track it on the surface, but the shark pulls the barrel under and disappears.

Night falls without another sighting, so the men retire to the boat’s cabin, where Quint tells of his experience with sharks as a survivor of the World War II sinking of the USS Indianapolis. The shark reappears, damages the boat’s hull, and slips away before the men can harm it. In the morning, while the men make repairs to the engine, a barrel suddenly reappears at the stern. Quint destroys the radio to prevent Brody from calling the Coast Guard for help. The shark attacks again, and after a long, hard chase, Quint harpoons it to another barrel. The men tie the barrels to the stern; but the shark drags the boat backwards, forcing water onto the deck and into the engine, flooding it. Quint harpoons it again, attaching three barrels in all to the shark, while the animal continues to tow them. Quint is about to cut the ropes with his machete when the cleats are pulled off the stern. The shark continues to attack the boat and Quint powers towards shore with the shark in pursuit, hoping to draw the animal into shallow waters, where it will be beached and drowned. In his Ahab-like obsession to kill the shark, Quint overtaxes Orca’s damaged engine, causing it to seize.


Richard D. Zanuck and David Brown, producers at Universal Pictures, heard about Peter Benchley’s novel at identical times at different locations. Brown heard about it in the fiction department of Cosmopolitan, a lifestyle magazine then edited by his wife, Helen Gurley Brown. A small card gave a detailed description of the plot, concluding with the comment “might make a good movie”.[4] The producers each read it overnight and agreed the next morning that it was “the most exciting thing that they had ever read” and that, although they were unsure how they would accomplish it, they wanted to produce the film.[5] Brown says that had they read the book twice they would have never have made the film because of the difficulties in executing some of the sequences.[4] They purchased the film rights to Benchley’s novel in 1973 for approximately $175,000.

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Music from the movie

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